‘Stunning’ new, stripped-back version produced by long-time friend Dave Clark, taken from soundtrack of 1986 hit musical ‘Time’
Available on Universal Music on June 20
For the first time ever – after four decades – a previously unreleased version of “Time,” recorded in 1986 by Freddie Mercury for the concept album of the hit musical of the same name, has emerged after two years of work by the globally successful musician, songwriter and producer Dave Clark. The long-time friend of Mercury’s uses the song’s full title, “Time Waits For No One.” The track is set for release via UMe on June 20, along with a new video.
“Time Waits For No One” shows Mercury at his most compelling; a completely stripped-down performance, accompanied by just a piano, showcasing one of music’s most beloved and show-stopping voices.
The Story Behind The Song
“Time” was the brainchild of Clark, former leader of the successful multimillion-selling group The Dave Clark Five, and one of the U.K.’s most prolific and celebrated musicians, songwriters and producers. “Time,” the West End musical, which opened at London’s Dominion Theatre in April 1986, merged sci-fi, rock music and ahead-of-its-time special effects and multimedia. With a cast including Sir Laurence Olivier and Cliff Richard, it broke box records and played to more than a million people during its two-year run.
For the show’s multimillion-selling star-studded concept album, Clark had a song in mind for Mercury (“In My Defence”). Despite industry naysayers claiming he wouldn’t do it, Mercury agreed to fly to London from his then home in Munich, Germany, to record the song at Abbey Road Studios in October 1985.
One of Clark’s four session musicians, Mike Moran, who had never met Mercury, was introduced on piano having known Clark for many years. Such was the subsequent relationship born with Mercury that Moran went on to write “Barcelona” with the Queen frontman years later.
The “Time” session was recorded in a haze of late nights and fueled by “fabulous food, vodka and Cristal Champagne,” courtesy of Mercury’s personal chef, Joe Fanelli.
Clark further recalled of the recording session: “We got on great. … If I didn’t like something I’d say, and vice versa. … We were both aiming for the same thing: to make something special.”
When asked by Mercury if he had anything else, Clark replied with an affirmative, offering the musical’s title track, “Time.” In January 1986, they returned to Abbey Road Studios with a group of musicians to record the song. Clark wrote the song with John Christie, unbeknownst to them at the time at how the words “Time waits for no one” would be so relevant decades later.
Starting off as a rhythm track, the session recorded 48 tracks of backing vocals (Mercury plus John Christie and Peter Straker), 2-by-24 track tapes locked together – which had never been done before for that amount of backing vocals at Abbey Road – and the final version of “Time” comprising of a huge production of 96 tracks.
The video for the song was filmed in three hours on a Tuesday at the Dominion Theatre and was quickly wrapped to allow the musical to prepare for that evening’s performance; it had opened earlier that month with Mercury attending opening night. Worried about capturing the full performance, it was a four-camera shoot, which was cut together quickly in order to turn it around for that week’s broadcast of the U.K.’s hit music TV program “Top of the Pops.” Going straight to video, not the original 35mm film it was shot in, the song was released on May 6 of that year, and the original footage was consigned to the vaults.
4 Decades on … 96 Tracks to 1
Clark had always remembered that performance of Mercury at Abbey Road Studios from 1986. The original had sold millions, and, in his own words “worked.” But the feeling he had during the original rehearsal, experiencing “goosebumps,” hadn’t dissipated over the decades, and he wanted to hear this original recording – just Mercury on vocals and Moran on piano.
After much searching through the vaults to find the version without all the backing vocals, Clark finally retrieved it from his tape archive in the spring of 2018.
Bringing in original keyboardist Moran to record a new piano track, restoring the huge potential of this historical performance at the latter’s studio in Buckinghamshire, Clark, firmly believing “the impossible was possible,” eventually produced the performance he had longed to revive. He stripped back the 96-track version to a version with just one: Freddie Mercury.
But the audio needed a visual and Clark didn’t want to just cut old footage together. He had the negatives from the four-camera shoot and the unprocessed film, which was being stored for a time at Rank Laboratories in Pinewood. It returned to Clark after his 2014 documentary “Glad All Over: The Dave Clark Five and Beyond.”
A four-day lockdown in a special facility to pore through the negatives with his editor led to the discovery and production of this visual masterpiece, a perfect representation of Mercury’s “magic performance. … He tasted every word.”
“Time Waits For No One’’ is a tribute to the musical force of Freddie Mercury; the performance, the drama, the vocal range and, after four decades waiting in the wings, is now out for new and old fans alike.
The song is out June 20 on UMe/Universal Music Group.