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Guests to the Castellani Art Museum's `Party on the Portico` were afforded the opportunity to watch plein air-style art created in front of their eyes.
Guests to the Castellani Art Museum's "Party on the Portico" were afforded the opportunity to watch plein air-style art created in front of their eyes.

PHOTOS: Castellani Art Museum's 'Party on the Portico' celebrates live art, music, conversation

Fri, Jun 26th 2026 12:50 pm

Information courtesy of the Castellani Art Museum of Niagara University

The Castellani Art Museum of Niagara University welcomed members, friends, and the wider Western New York community to “Party on the Portico” on Thursday. CAM’s annual summer celebration was set against the backdrop of the museum’s iconic portico and current summer exhibitions. It brought together art, music, conversation, and community in one of CAM’s most anticipated annual traditions.

Pianist Kevin Clark

Food was provided by the Niagara Falls Culinary Institute.

Plein air-style live artists Joel Mulindwa and Kath Schifano

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“Party on the Portico” featured live music by pianist Kevin Clark, light bites sponsored by the Niagara Falls Culinary Institute, and a series of plein air-style live art demonstrations by regional artists Kath Schifano, Doug Mess, John Sauter and Joel Mulindwa. Throughout the evening, visitors had the rare opportunity to watch each artist create an original work in real time, offering an intimate look into their unique artistic processes and creative approaches.

From left: CAM Interim Director Michael Beam, artist Kath Schifano, and Head of Marketing & Membership Jessica Minicucci.

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CAM Interim Director Michael Beam updated the audience on museum happenings and funding initiatives. And, in keeping with CAM’s ongoing lifetime membership initiative, the museum honored artist Schifano, whose work is represented in CAM’s permanent collection. Schifano received a lifetime membership in recognition of her artistic contributions and lasting impact on the museum’s collection and community.

“ ‘Party on the Portico’ embodies everything that makes CAM special,” Beam said prior to the event. “It brings together artists, members, students, and the community in a way that is accessible, engaging and inspiring. It’s a celebration of the creative energy that continues to thrive throughout our region.”

For more information on CAM, visit castellaniartmuseum.org, and follow CAM’s Facebook page, X (@CAM_of_NU) and Instagram (@CastellaniArtMuseum).

CAM started a new lawn-sign campaign that notes, “My Favorite Museum is Right Here.”

Current works on display inside the Castellani Art Museum include: “The Family,” an oil on canvas painting by William Y. Cooper (gift of the Diane Castellani and Terrance Bromley family);

•“Breathing Water: For Niagara, Thundering Waters” by Beili Liu, a mixed-media collection of ocean, river and lake plastics gathered from the shorelines of the Arctic Ocean, Barents Sea, Norwegian Sea, North Pacific Ocean, North Atlantic Ocean, Baltic Sea, North Sea, Adriatic Sea, Mediterranean Sea, Gulf of Mexico, Lake Ontario and the Niagara River;

•and “Earth” by Chantal Calato, which is discarded plastic toys, hand-painted cotton rope, and bolts.

Paraphrasing Castellani’s note: “Earth” is one in a fleet of push toy monstrosities – gigantic push toys made from discarded toys lashed together with hand-painted cotton rope. The toys, collected from people's garbage heaps around the City of Buffalo, are anywhere from 40-plus years old to almost new – toys one might even have in their own backyard. They are engraved with play and dirt and scribbled with the children's names who once played with them. This work reflects Calato’s commitment to environmental stewardship by rescuing these relics of play from local landfills – while also allowing the artist to take genuine pleasure in the process. Calato’s artistic process explores themes of wonder, excessive consumerism, garbage-picking, destruction of the environment, and carrying one's entire life on their back. Calato said the endless supply of toys once gave her great anxiety, but have now become “building blocks for infinite creation.”

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